Rather, the decisions I will highlight include non-optional mechanics that unduly slow its pace, that mislead the player to push them toward sub-par strategies, and that add challenge in ways that feel sloppy or even unintentional. I should clarify right at the outset that none of the things I will be discussing in this article are elements covered by the title’s gameplay options (which include a number of toggles for enabling or disabling some of the game’s more contentious mechanics). Instead, this article will be focused on the abundance of small design decisions, surfacing roughly between the 20-hour mark and 60-hour mark of a playthrough, which serve to weaken the game’s demonstrable strength. It’s a very competent mix among an RPG, a roguelike, and a strategy game, all set against a backdrop of Lovecraftian horror-what’s not to like?īut the game’s literal tens of thousands of positive Steam reviews more than adequately cover its merits, so that’s not what I want to talk about here.

I most assuredly have an overall positive impression of the game, and if this were a simple review of it, I would only feel that I was slightly misrepresenting my opinion if I closed by giving it an unabashed recommendation.

And its level of difficulty makes for an agreeable challenge that requires players to develop non-trivial strategies for longterm success, as all strategy titles should.

Its level of aesthetic polish stands out as exceptional, putting it alongside the work of other artistically gifted small development teams like Supergiant Games, Nitrome, and Team Cherry. It has a balanced mix of depth and breadth in its D&D-style strategy mechanics, making for a satisfying experience when formulating and executing plans. Despite all of its thematic darkness and mechanical brutality, Red Hook’s Darkest Dungeon can be quite a joy to play.

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